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The Italian masters Arcangelo Corelli and Antonio Vivaldi, among others, included corrente movements in their sonate da camera (chamber sonatas).
In Italy a suite for chamber ensemble or orchestra was commonly termed sonata da camera (chamber sonata).
The early cantatas after Grandi were written by Italian composers, most in secular style (cantata da camera, "chamber cantata"), but some in sacred manner (cantata da chiesa, "church cantata") and all in the vernacular language, Italian.
The titles of early concerti grossi often reflected their performance locales, as in concerto da chiesa ("church concerto") and concerto da camera ("chamber concerto," played at court), titles also applied to works not strictly concerti grossi.
Mice were placed into the camera chamber of the IVIS® Spectrum imaging system where a controlled flow of 2.5% isoflurane in air was administered through a nose cone via the IXG8 gas anaesthesia system (Caliper Life Sciences).
The mice were placed in the camera chamber, where a controlled flow of 2.0% isofluorane in air was administered through a nosecone via a gas anesthesia system designed to work in conjunction with the BLI system (IVIS® 200, Caliper Life Sciences).
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But away from the camera, the chamber's new Republican leadership is busy doing the opposite.
At this point the sonata da chiesa, or church sonata, and the sonata da camera, or chamber sonata, emerged as complementary but distinct lines of development.
Sonata da camera, ( Italian: "chamber sonata") a type of solo or trio sonata intended for secular performance; the designation is usually found in the late 17th century, especially in the works of Arcangelo Corelli.
The sonata da camera, or chamber sonata, intended for secular performance, consisted of several mostly dancelike movements, and the sonata da chiesa, or church sonata, was as a rule more contrapuntal.
Sonata da camera, (Italian: "chamber sonata") a type of solo or trio sonata intended for secular performance; the designation is usually found in the late 17th century, especially in the works of Arcangelo Corelli.
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