Sentence examples for calls a portrait from inspiring English sources

In his Fourteenth Symphony, he set a poem by Apollinaire entitled "The Zaporozhian Cossacks' Answer to the Sultan of Constantinople," in which the "evil butcher of Podolye" is denounced in tones distinctly reminiscent of the Scherzo from the Tenth Symphony — the piece that "Testimony" calls a "portrait of Stalin".

The report relied on data from the Census Bureau and surveys Pew conducted itself over the last several years to produce what it called "A Portrait of the Adult Children of Immigrants".

His gentle semiautobiographical novel "World's Fair" (1985), which he has called "a portrait of the artist as a young boy," was set in the Bronx in the 1930's.

They depict 7,400 buildings, in whole or part, in what Mr. Wagner, 51, a former Colorado newspaper artist, calls "a group portrait of Manhattan's skyscrapers".

43, he said, will aim to do just that with what Ying calls an "unfiltered portrait of real skateboarding".

Study Offers a Picture of Young Immigrants Seeking a Reprieve From Deportation A Brookings Institution study presents what it calls "an emerging portrait" of applicants under a year-old program that is one of President Obama's signature immigration initiatives.

A new study by the Brookings Institution presents what the group calls "an emerging portrait" of young immigrants who have sought a temporary reprieve from deportation under a year-old program that is one of President Obama's signature immigration initiatives.

In a thoughtful review in the China Heritage Quarterly, author and translator Linda Jaivin calls it a "portrait of China as simultaneous utopia and dystopia".

Neither of these plays is exactly what you would call a flattering portrait.

In 2006, a team of government-backed historians marked Confucius' 2,557th birthday by unveiling what they called a "standardized" portrait: a kindly old figure with a luxuriant beard, his hands crossed at his chest.

Schroeder presents fiscal issues clearly and Buffett's personal story perspicaciously in what Janet Maslin in The Times called a "definitive portrait".