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Let us call judgments of taste, or judgments of beauty and ugliness, "verdictive aesthetic judgments", and let us call the other aesthetic judgments (of daintiness, dumpiness, elegance, delicacy, etc).
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Each acceptance smoothes part of the many distortions that the faculty you call judgment engenders.
In fact, these too are judgments, which in the Prolegomena Kant calls judgments of perception (4:298-299).
The most common contemporary notion of an aesthetic judgment would take judgments of beauty and ugliness as paradigms — what we called "judgments of taste" in part 1.
"Each to their own taste" only applies to judgments of niceness and nastiness, which Kant calls "judgments of agreeableness" (see Kant 1790, pp. 51 53, p. 149).
That tool is called judgment.
In 1946 de Kooning painted a picture called "Judgment Day".
It is interchangeably called judgment aggregation and crowd consensus.
Following Kant again, Arendt called judgment's second modus operandi "reflective judgment".
To bypass that problem, the researchers decided to measure something called judgment bias essentially, the way that mood affects behavior and decision-making.
It knows that in those endless enigmas we call family, judgments are never final, and love never fades altogether.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com