The 2011 film "Margin Call" depicted an embattled brokerage firm, while the 2010 release from Oliver Stone, "Wall Street: Money Never Sleeps," was a follow-up to his 1987 classic, "Wall Street".
But the reports, mostly anonymous e-mails and phone calls, depict students, parents and alumni essentially begging the university to find a way to crack down on hazing.
The calls depicted a former president seeking to salvage his heroic narrative alongside a sitting leader trying to stave off impeachment proceedings she has likened to a slow-motion coup.
— For more than a week, prosecutors and the witnesses they called depicted life inside the Sanduskys' house at 130 Grandview Road in State College, Pa., not as the warm refuge for a stream of children that the outside world saw, but as a place of horrors where Jerry Sandusky sexually abused one young boy after another.
Both women were intimately familiar with the issues — race and parenthood — raised by Ms. Barfield's new drama, "The Call," which depicts a white couple mulling whether to adopt a child from Africa.
One video, called "Bank," depicts a customer perplexed about fees on his account.
The new McCain advertisement, called "Courage," depicts the senator as a hero taking enemy fire.
And a coming novel by Michael Thomas Ford called "Jane Bites Back" depicts Austen as a frustrated vampire, taking revenge on those who have made money from her work.
And the last ad, called "Angel/Devil," depicts both characters with the same expression, showing that an angel can often be as corrosive as the devil.
