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I can't quite see myself switching to it as my main browser at this point (especially because it doesn't support any plugins yet), but it does feature its fair share of interesting concepts.
"The Hour" is far less zany than "The Newsroom," slinkier and more adult in its erotic appeal, but it does feature a full-office slow clap when its characters do the right thing.
It may look like a loose-limbed meditation on a young Texan's coming-of-age, but it does feature a strikingly hard-ass pep-talk for its hero, whose ambitions lie in photography.
But it does feature scores of village genocides.
But it does feature epic traffic jams, polluted groundwater and unstable land.
The diagramed deal is no exception, but it does feature an unusual ending.
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But it did feature arguably the year's most jaw-dropping action sequence.
THE player market didn't offer a lot of talent this winter, but it did feature a smorgasbord of catchers.
Mr. Martins's "Quartet for Strings" was not a masterpiece, but it did feature Margaret Tracey, a dancer who always stressed the perfection of form in this idiom.
That did not involve many runs on conventional deposits, but it did feature a flight from short-term investments that had come to resemble bank deposits, such as money-market funds and asset-backed commercial paper.
It wasn't quite as strong, but it did feature one particularly memorable moment in which a speaker warned students to stay away from men with less than a "fistful of beard" the "same way you would stay away from a serpent or a snake".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com