Sentence examples for buildings mark from inspiring English sources

The peculiar mushroomlike roof caps, the Classical ornament around the doorways and the painted scenes flanking the roof and screening out the adjacent buildings, mark this as one of the notable works of retail architecture in New York.

High-rise hotels and office buildings mark the central business district, above which looms the lava-red Lighthouse of Commerce, a 230-foot (70-metre) observation tower symbolizing the economic aspirations of the city.

At the junction of Forrest Road and Bristo Street a line of cobbles and a narrow gap in the later buildings mark the line of the wall.

You'll see these on flags and small plaques on buildings, marking out the separate neighbourhoods.

Others perch like buzzards on top of the surrounding decrepit buildings marked for destruction, peering out over the immediate void.

These buildings marked an evolution toward the colossal and toward a style that was perhaps more pretentious than that typical of Darius' reign.

Today, white placards stand amid rubble and outside damaged buildings, marking places where Kurdish fighters were killed, and listing their names in black and red paint.

The mobs that rampaged through Osh seemed to be meticulous in singling out Uzbek property, judging from the smattering of intact buildings marked "Kyrgyz" or "KG," some with curtains still hanging in the windows.

NATO authorities who raided a Saudi aid agency last fall in the Bosnian city of Sarajevo found computer files containing photographs of terrorist targets and street maps of Washington with government buildings marked, a senior American official has disclosed.

There are red brick buildings marked with the backward Z's of old fire escapes, cast-iron facades of 19th-century factories that don't rise over 10 stories, great big warehouse windows and slate-tiled roofs that borrow from European design.

They meet in condemned buildings marked by the symbol of a stylized eye to watch a "night film" — one of the psychologically punishing horror pictures of Stanislas Cordova, a master filmmaker who has shunned publicity with a zeal that makes Thomas Pynchon look like a shameless attention hog.