"broadly without" can be correct and usable in written English
It is usually used to indicate something that is mostly or largely lacking or absent in a certain situation. Example: She lived a life broadly without regret, always taking risks and following her passions.
In fact, they are a dodge, because they cut spending broadly without lawmakers having to defend specific cuts.
On Tuesday, Mr. Berners-Lee and Mr. Kahle and others brainstormed at the event, called the Decentralized Web Summit, over new ways that web pages could be distributed broadly without the standard control of a web server computer, as well as ways of storing scientific data without having to pay storage fees to companies like Amazon, Dropbox or Google.
It probes the Web very broadly without interacting directly with any target site, so it's difficult to detect.
In each case it broke the rules, collecting too much, allowing unauthorized parties to search the pooled data, and sharing it too broadly without adequate protections.
(Even if the authors have meant this scale to refer to governance more broadly without splitting so radically between knowledge production and intervention, it still remains non-trivial why deliberative knowledge production cannot go together in any way with centralized management).
Characters are drawn broadly without many distinguishing characteristics, and sometimes they don't appear at all — only their voice.
How smart she was to search broadly and without prejudice for the field that captured her imagination.
The punitive secrecy provisions of Border Force Act operate so broadly there without any meaningful exemptions, contrary to the department and border force's rhetoric.
If the differences between new and soured love don't register meaningfully, though, it's because the grown-ups are drawn too broadly and without the nuance — the expository fights are particularly off key — that might obscure the narrative schema.
The quartet sketch their characters broadly, but without giving too much away at first: they peek out at us, wide-eyed, from behind the curtain of their technique, like children backstage, happy and expectant, waiting to go on.
Cordero, Ashmanskas, Mazzie, and Yorke sketch their characters broadly, but without giving too much away at first: they peek out at us, wide-eyed, from behind the curtain of their technique, like children backstage, happy and expectant, waiting to go on.
