Sentence examples for bring subjectivity from inspiring English sources

Being more data-adaptive and process-transparent, human interaction may bring subjectivity, and thus must be carefully applied.

Although it would sound to be an important issue, this variation of time should not be considered as a drawback for the comparison of the results obtained in these works by considering that hemagglutination assays are evaluated by visual analysis of each sample and that this would bring a subjectivity to the different protocols adopted in these studies [ 26].

This is because with the information available, it was considered that the inclusion of more levels only brings more subjectivity to the study.

The fact, that the farmers ranked the statements from their own point of view and not according to 'facts', is what brings the subjectivity into the study.

And we bring our own subjectivity to bear when we gaze at the skyline.

But recent recordings from two composers offer wondrous examples of another aesthetic — a deeply personal subjectivity brought to hallowed musical forms.

Moreover, even relatively reliable expert listeners bring a certain degree or subjectivity and uncertainty to the listening experience.

I draw on Spinoza's framework of affects and Hardt and Negri's idea of "affective labor" to bring attention to the processes through which human beings make themselves and the role of affect and environmental care practices in shaping subjectivity.

Individual self-assessments are more vulnerable to subjectivity than group self-assessments because group process can moderate over-rating; if one member of a group over-rates performance on an item, another group member can bring this to the attention of the group which can in turn affect the group's final rating of that item.

First, systematic reviews can reduce but not remove subjectivity because the technique brings together a number of studies, and the analyst is instrumental in their selection.

The essay on Mahler declares that in his Fifth Symphony the composer "opted for a rhetoric that brings to the foreground a constructed musical subjectivity whose task is to control and unify the protean character changes that define its discourse".