Sentence examples for boy narrative from inspiring English sources

Coming from an occasional Royal Court bad boy, "Narrative" feels pretty tame by this writer's standards, though a running concern pertaining to a posterior part of the anatomy does remind us of the Neilson of old.

Boy, Narrative Some adolescents and parents were unsure about the potential of a future screening.

Boy, narrative Thus, the main argument for offering the test to everyone was that it was important for people to become aware.

Boy, Narrative This category captured the experience of those who considered themselves to be asymptomatic before diagnosis, but became aware of symptoms when receiving the diagnosis or when perceiving improved health after initiated treatment.

Yet the conventional mad-about-the-boy narrative takes another turn when Armando, with a face made even more hangdog by his bruises, pursues Elder.

But Thursday, when Kavanaugh brought them up (which, of course, he did), it wasn't to lament about their futures or to worry over their health or safety, or refute the "boys will be boys" narrative that has been flung around without care and will likely haunt them in their school years and beyond.

What might seem like nothing more than an alternative, constructed boy band narrative has become the basis for Larry!Monument, a series by British artist Owen G. Parry, on display as a part of the group exhibition Common Property at London art space Jerwood Visual Arts. .

The most celebrated of the current batch of boy soldier narratives is, perhaps inevitably, What Is the What by the bestselling memoirist, novelist and literary entrepreneur Dave Eggers.

A 16-year-old girl named Nora Lindell has gone missing, an event that a collection of adolescent boys, the narrative "we," will be preoccupied with for more than two and a half decades, partly out of concern, partly out of curiosity and partly out of unresolved desire.

Second, the international humanitarian community has positioned itself as the white, western, heroic protector of vulnerable women and girls (and not men and boys)—a narrative that not only escalates power differences between humanitarian and beneficiary but also reproduces the subordination of women.

His film The Thing featured a "traditional" cinematic boy-girl narrative.