Sentence examples for boundaries of stage from inspiring English sources

Exact(1)

Idiomatic speech was the key to the tempo of Odets's plays, which expanded the boundaries of stage naturalism.

Similar(59)

The dancers in Le Minh Tam's untitled group piece also made intriguing shapes, this time with a length of white fabric that served as a river, the boundaries of a stage within the stage and a screen.

The wings had been stripped away from the wide black-box theatre at N.Y.L.A., and the only décor was an array of short colored strips marking the boundaries of the stage: T's upstage and down, an X in the center, and four strips marking the outer edges — in effect, large-scale versions of the bits of tape that are typically used to orient dancers.

Instead, opposing players must force their opponents beyond the boundaries of the stage.

Berkeley's numbers "broke the boundaries of the stage," while Prinz took a completely opposite approach, with the audience never able to forget that it was watching a stage performance.

As formally ratified in 1989 under the authority of the International Commission on Stratigraphy, the Global Stratotype Section and Point (GSSP) defining the lower boundary of this stage is in the section of Veklá Chuchle in southwestern Prague.

As formally ratified in 1972 under the authority of the International Commission on Stratigraphy, the Global Stratotype Section and Point (GSSP) defining the lower boundary of this stage is at Klonk near Suchomasty, 35 km (22 miles) southwest of Prague.

As formally ratified in 1994 under the authority of the International Commission on Stratigraphy, the Global Stratotype Section and Point (GSSP) identifying the lower boundary of this stage is located at Jebel Mech Irdane ridge, 12 km (about 7 miles) southwest of Rissani, Morocco.

At several points a sufferer is flung beyond the boundary of the stage to spin above the audience.

Miller certainly isn't going out of fashion, and his estate gently nudges the boundaries of how to stage him.

Always intrigued by straining the boundaries of convention, Lepage staged Lipsynch, a nine-hour production, in 2007, and Eonnogata, the story of cross-dressing spy Charles de Beaumont, in 2009.

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