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And just as a reminder of how far we've come, both piece make artistic use of looping GIFs.
If this were to happen, the firm would not have to differentiate b1 from b2, since both piece rates would affect only workers' current efforts without the possibility of layoffs.
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Both pieces mentioned the "lucid interval" defense.
Both pieces concern triangular adultery.
Both pieces leave me restless and unsatisfied.
Both pieces equate repetition with engaged anger.
And both pieces desperately needed trimming.
The orchestra played both pieces with brassy muscle.
As otherworldly as they look, both pieces are topically loaded.
Both pieces of software are slick, sophisticated and complicated.
The composer Christopher Lancaster performs his scores for both pieces live.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com