Sentence examples for both of which used from inspiring English sources

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In the Atlanta area, Fulton County and DeKalb County, both of which used punch cards, had undervote rates of 6.3percentand3.7percentcent, respectively, the secretary of state said.

The most important were Parallel Of Life And Art (1953) and This Is Tomorrow 19566) both of which used photographs and installations to illustrate unexpected connections and affinities between art, science, technology, ethnography and archaeology.

According to Ms. Meyers, "What Women Want" is based on a pair of scripts, one by Mr. Goldsmith and Ms. Yuspa and another by Diane Drake, both of which used the same mental eavesdropping concept.

Wildfire and Portico were two telephone-based electronic personal assistants introduced in the late 1990s, both of which used female voices meant to remind callers of friendly but assertive executive secretaries.

New World's art-house distribution operation was later an inspiration to such epoch-making independents as Miramax and New Line, both of which used art-house distribution as a money-engine.

The paper presents findings from two studies, both of which used a series of computer-based techniques generally referred to as "machine learning," to analyze data gathered each time a student saved or compiled a program.

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In the 1990s a Swiss firm called Crypto AG was forced to deny that it had deliberately neutered its products at the behest of Western intelligence services after the governments of Libya and Iran both of which used the firm's machines became suspicious that their communications were being tapped by the American and German secret services.

This procedure allows us to compare our approach to MOTHUR and DOTUR, both of which use the alignment distance cutoff and ESPRIT, which uses the k-mer distance cutoff.

Technically, it is neither a relaxer nor a straightener, both of which use caustic chemicals to change the texture of the hair.

Ross left us with a moving juxtaposition of "Dido's Lament" from Henry Purcell's Dido and Aeneas and Bob Dylan's "Twist of Fate," both of which use the descending chromatic bass line to portray the sorrow of an abandoned lover.

In this talk, I will describe two new training algorithms that address these questions, both of which use a small amount of infrequent high-precision computation to reduce the error caused by low-precision computation.

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