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I have what psychologists call a "highly sensitive personality" on the basis both of temperament and childhood experience.
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Both have obvious flaws and virtues; in terms of temperament, style and structure, they're worlds apart.
And yet that's not true of Mr. Zavarov (who has danced, among other roles here, Apollo) or of both Russell Clarke and Shea Johnson, who both made the Phlegmatic variation of "Temperaments" more vitally engaging than it has been in decades.
There is the question of temperament.
The difference is one of temperament.
This may be a matter of temperament.
This is partly a matter of temperament.
Call it a matter of temperament.
This deficiency of temperament has been devastating.
But I acknowledge my conservatism of temperament.
It takes a certain kind of temperament.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com