Sentence examples for both composed in from inspiring English sources

Both composed in 2003, the cycles are the first two books in Mr. Crumb's four-volume "American Songbook".

The works by Mr. Ornstein on Ms. Cahill's program are "Suicide in an Airplane" and "Impression of the Thames" (both composed in 1913), and three works from the 1970's: "A Morning in the Woods," "Rendezvous at the Lake" and "Solitude".

The earliest of Mr. Ornstein's works, "Suicide in an Airplane" and "Impressions of the Thames" (both composed in 1913), were the most striking of those that Ms. Cahill played, not least because of the deft way in which Impressionistic ambiguity wove through textures of a decidedly Lisztian heft.

A pair of songs by Toscanini — "Neurosi" ("Neurosis") and "Son Gelosa!" ("I Am Jealous!"), both composed in 1885 — proved more charming than memorable, and Gina Cuffari, a soprano (though she is usually the group's bassoonist), sang them with the right balance of gracefulness and passion.

The group took up works by young composers who shared its diverse interests, including Mr. King and Ms. Wolfe, who both compose in rock-influenced styles.

Both Daniel Variations, composed in memory of the US journalist Daniel Pearl, who was kidnapped and killed in Pakistan in 2002, and You Are (Variations), a setting of Hebrew texts and a Wittgenstein epigram, are two of Reich's denser, darker creations, inhabiting a much more chromatic harmonic world than the works around them.

Both were composed in a lofty style that gives no evidence of the conflict embroiling Paris at the time.

Prayers dedicated to Varahi include Varahi Anugrahashtakam, for her blessing, and Varahi Nigrahashtakam, for destruction of enemies; both are composed in Tamil.

Although both were composed in the 12th century and draw upon a common Arabic tradition, they show significant differences, with the Turkish tale including many uniquely Turkic and Persian influences, including supernatural elements from folk tradition or motifs from the Shahname and the Romance of Abu Muslim.

The stimuli for both experiments were composed in the same way, but in Experiment 2, all stimuli were rotated 180°.

She wrote that both works were composed in "styles that are distinctively modern, but tonal and accessible".