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Geoffrey Leven's manipulated Polaroid photographs examine the body as an object of desire, but only in his large hand-formed paper work, "Lorelei," using a slice of cheesecake as a lure, does he approach the subject in stereotypical terms.
The dynamic footage plays to Missy Elliott's Get Ur Freak On, and offers different ways of seeing women beyond conventional representations of the static female body as an object of beauty (slim, tanned, delicate).
"Venus" was the apotheosis of the themes that Parks explored in what she now calls her "B.P". or Before Pulitzer work: the black female body as an object of fantasy, or of derision; the improvised family; history as a carny tent filled with barkers, illusionists, and confidence men; speech as an entirely subjective act; the essential loneliness of being.
— or Before Pulitzer — work: the black female body as an object of fantasy, or of derision; the improvised family; history as a carny tent filled with barkers, illusionists, and confidence men; speech as an entirely subjective act; the essential loneliness of being.
On his view, our knowledge of body as an object of imagination is inherently inadequate.
The human body, it does not have a body as an object.
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"This technique [of colored pencil on paper] forced me to draw shadows and lights as a volume, created only with lines, I studied the body as simple object with all these cures.
"This is a victory for the body as an art object, not a sexual object or a recreational object," he said.
Merleau-Ponty and Sartre, when describing our body's intentional engagement in the world in the pursuit of its tasks, stress that we are unaware of our body as a mere object among objects, rather it is the point from which engagement begins and that which is the source of the 'I can' which founds our relationship to our environment.
Later Freud would contend that even before that moment, the child can treat its own body as such an object, going beyond undifferentiated autoeroticism to a narcissistic love for the self as such.
Criticism has often focused on Modotti's naked body itself, as an object of study in the context of Weston's transgressive photographic work.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com