Congregational singing is appropriate to the "bodily" character of Christianity, in both the physical and the social senses of the word, as it permits the members of the Body of Christ to engage "with one heart and one voice" in the worship of God (Romans 15:5–6).
Congregational singing is appropriate to the "bodily" character of Christianity in both the physical and the social senses of the word, as it permits the members of the Body of Christ to engage "with one heart and one voice" in the worship of God (Romans 15:5–6).
In addition, these activations have a limited, entirely bodily spatial character.
If there is a key to the convergence among these authors, it lies, first of all, in their insistence on the bodily and communal character of resurrection, a view that has long competed with a Hellenistic philosophical and especially Platonic dualism, in which an individual disembodied intellect or spirit could be saved from its corruptible and corrupting body.
However, in this case, Anderson has bodily appropriated the Rocky characters in his treatment.
Anderson's bodily appropriation of these characters infringes upon the protected expression in the Rocky characters and renders his work an unauthorized derivative work. 1 Nimmer, § 2.12 at 2 171.
The initial setup uses the left analog stick for all the character's bodily movements; minor movements to the stick control the upper body movements, while larger movements control the lower body and movement within the ring.
Using cartoon characters to represent bodily sensations (e.g., Gassy Gus), children were trained to be "FBI agents" – Feeling and Body Investigators - who investigated sensations through exercises that provoked somatic experience.
Using cartoon characters to represent bodily sensations (e.g., Gassy Gus), children were trained to be "FBI agents" - Feeling and Body Investigators - who investigated sensations through exercises that provoked somatic experience.
Following material ecocriticism's assertion that the body functions as a porous intersection enmeshed in the material world, Ghosh's Ibis trilogy features a series of "bodily intimacies" in which certain characters' embodied experiences with opium directly affect their ontological, epistemological, and ethical orientations.
