where λ 1 = 1 2 ( σ 1 ) 2 and λ 2 ( j ) = 1 2 σ 2 ( j ) 2. In the above equation, w s, t ( i ), which is a new weight factor considering motion blur direction, is introduced into the third term and defined as follows: w s, t ( i ) = w ~ s, t ( i ) ∑ u ∈ N s w ~ s, u ( i ), (23) w ~ s, t ( i ) = ∑ u = 1 L 1 ∑ v = 1 L 2 K ( i ) ( u, v ) sin arctan v u - arctan Δ y ( s, t ) Δ x ( s, t ), (24).
It's time to reject the presumption that rape only happens to "bad" people, an unfair presumption that when taken to its logical conclusion inverts the relationship between the criminal and their victim blurs the direction of liability for crime and often deprives women of the fullness of their humanity by burdening them with the responsibility for other people's morality.
In addition, a new weight factor is determined by using motion blur and edge directions and introduced into this prior probability to suppresses the oversmooth in edge regions and the noise and ringing artifacts in smooth regions.
Hence, for example, the value of blur in vertical direction has been given more weighting than the same in horizontal direction.
Our approach is based on the principle that areas of video pictures where there is high motion are typically captured with significant blur along the direction of motion.
Alex James had hinted to Simon Mayo on BBC Radio 1 that Blur's new direction would be "less Britpop, more Iggy Pop", and so it proved when their eponymous album materialised in 1997.
In the past 20 years, the boundaries between the three clearly-defined sectors that dominated the 20th century – government running public services, business making profit, and charities in receipt of donations to do good – have blurred in all directions.
Coxon, in particular, began to resent his band mates: James for his playboy lifestyle, and Albarn for his control over Blur's musical direction and public image.
Guitarist Graham Coxon, in particular, began to resent his bandmates; James for his playboy lifestyle and Albarn for his control over Blur's musical direction and public image.
Although he had previously dismissed it, Albarn grew to appreciate Coxon's tastes in lo-fi and underground music, and recognised the need to significantly change Blur's musical direction once again.
