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"Blue Love" is a perfect example of this taking a tiny chunk from Paul Mauriat's "Love is Still Blue" and turning into a lovely extended groove.
As a raft of surveys has shown, blue love is a global affair.
They have now been published in full in a book called Mon amour bleu (My Blue Love).
We've been playing their tracks on BBC Introducing in the North East ever since they uploaded Blue Love about a year ago.
This is not to deny the impact that songs such as "Don't Think Twice, It's All Right", "Tangled Up in Blue", "Love Minus Zero/No Limit" and "Idiot Wind" have had at different points in my life.
It's an airy two-level expanse with a 20-foot-high ceiling and angular metal railings softened by upholstered blue love seats; dangling overhead are some scary-looking illuminated globes with protruding spikes.
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By the time I was a senior, I had my own room and had acquired my first piece of IKEA furniture, an only slightly shopworn navy-blue love seat.
In the past he has treated audiences to "Just Like Tom Thumb's Blues," "Love Minus Zero/No Limit".
While the first third of the album sometimes relaxes into standard ballads and blues, "Love and Theft" picks up speed, and power, after that.
There are old-timey incantations ("Ghost Woman Blues," "Love and Altar"), noisy, tremulous barrages ("Boeing 737") and straight-up stomps ("Hey All You Hippies").
Wistful ballads give way to township-jazz stomps like early Abdullah Ibrahim, Latin groovers to Cecil Tayloresque free jazz, rocking rural blues, love songs full of internal conversations.
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CEO of Professional Science Editing for Scientists @ prosciediting.com