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For audio preservation, it is important that the vendor at least has the capacity to produce 24 bit (per sample)/ 96 kHz (samples per second) uncompressed audio streams.
The bit per sample (bps) is adopted to measure the embedding rate.
Figure 23 shows the ODG experimental results on 70 audio clips by 1 bit per sample.
The recording uses only one bit per sample, which is an upper bound on the rate at which information about the desired distribution is acquired.
With MIT BIH arrhythmia data at 1 kHz sampling and 10-bit quantization, the algorithm achieved an average CR and PRDN of 10.99 and 3.27 respectively, with average bit per sample value of 1.49.
The first step was the conversion of the original audio data from original.ses format to the.wavformat - we used (16 kHz, mono 16 bit per sample PCM).
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All calls were recorded at 16-bit per sample with a sampling frequency of 200 kHz or higher, and when higher, were resampled to 200 kHz.
Since there is not much literature detailing the occurrence of frequencies above 22 kHz, recordings were made at a sampling frequency of 44.1 kHz using 32 bits per sample.
A sampling rate of 44.1 kHz is used, with 24 bits per sample, stored in linear PCM format.
For a high-quality digital surrogate, you'll want the converter to be able to produce at least 24 bit (bits per sample) / 96 kHz (samples per second) audio streams.
The data corpus was a 16-bit per sample linear data.
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