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The binding media is a kind of animal glue which is likely to be bovine or yak glue, the traditional medium used in Tibet.
Therefore, it is likely that the varnish contains a mixture of drying oil (maybe tung oil) and rosin resin, while the binding media is a kind of animal glue which is likely used as the binding medium for the paint and preparatory layers.
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Binding media are suitable for a classification based on their chemical nature.
Plant gums used for binding media are produced by a variety of trees and shrubs.
A range of organic products suitable for use as binding media were available in ancient Egypt.
Carboxylic acids from binding media are expected [54].
The specific organic binding media were further analyzed by Py-GC/MS.
The analysis of binding media was not the issue of this work.
Binding media are natural products of relatively complex nature that are used as film-forming substances to give cohesion to pigments, to adhere them to each other and to a backing substrate and to protect them from deterioration [5 10].
In particular, a painting of the XV century, the Madonna with the Infant and Angels ("Madonna con Bambino e Angeli") by Antonello da Messina, was studied and the composition of the natural resins of the binding media was investigated.
Specially, very little or no binding media was added in ancient ink residues, which might explain why the inks were produced as small and irregular pellets during the Western Han Dynasty.
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