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"It's a disconnect between two things we thought were pretty solid," he says.
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The gist of what I told him is this: The economic tensions between the United States and China arise because of two things we have in common.
This has to do with false positives, or our tendency to believe a hypothesis is true when it's not -- in the case of coincidences, we believe in a link between two things when in fact there is none.
The third one is that in addressing the keyframe selection problem, we are given the difficult choice between two things: choosing representative frames or quality ones.
It thus suggests that where we cannot identify a recognizable difference between two things or possibilities, those two are in fact only one — that is, as Leibniz puts it, that "To suppose two things indiscernible, is to suppose the same thing under two names" (Fourth Paper, paragraph 6; G VII.372/Alexander 37).
The easier it is to remember, the more likely we are to create a strong relationship between two things that are weakly related or not related at all.
"We have to make a clear distinction here between two things that have nothing to do with each other," he said.
We infer that the repeated connection involves an essential relation between two things: e.g., it is not accidental that the purging of bile follows the ingestion of scammony, for regularities cannot be due to chance.
When we hear, e.g., "It is true that the rose is red because the rose is red" we don't naturally hear it as expressing a binary relation between two things.
Somebody spots a connection between two things.
Our music is that dichotomy between two things.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com