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We stare at them and know that though times may have changed in Mulberry Bend, the camera does not have far to look to find suffering that is every bit as dire.
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Film history is full of attempts to bend the parameters of screen space with fancy camera movement.
SOUTH BEND, Ind .— The camera panned across the lush, green, Irish landscape, when a voice came from off-screen.
Instead, the zooming mechanism is cleverly mounted vertically inside the camera; a prism bends the light inside.
A mirror bends the light coming through the front of the camera, sending it through the drop and snap!
On both of these cameras, the zoom lens is entirely internal, rather than telescoping outward; a prism bends the light.
Tan, toned, and deaf to all entreaty save that of their rollicking senses, they bend and bulge toward the camera, up close yet oddly impersonal, beating time on our eardrums and daring us to risk our retinas.
It bends the brain.
He bends the knee.
He bends the paper, the video bends with it.
Josh assumed his customary filming stance: crouched at the knees, with the camera bent at a zany angle.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com