The phrase "believable about" is grammatically correct and can be used in written English.
It is typically used to describe something that is convincing or credible, or to express one's belief or opinion about something. For example: - The documentary was very believable about the effects of climate change. - I find the rumors about their breakup to be quite believable. - The witness's testimony was very believable about the events that took place. - I'm not sure if the plot twist in the movie was believable about the character's true intentions. - His explanation seemed believable about why he was late for the meeting.
Withnail appeals "because there is something believable about it.
Barrymore came out top because, as Deacon says, "she's an A-list star but there's something believable about her.
But Thompson's skills desert him when he ventures beyond these realistic set pieces, and there's nothing remotely believable about his outlandish plot.
Among the early adopters were Aziz + Cucher (Anthony Aziz and Sammy Cucher, Andreas Gurskyy, and Loretta Lux, all of whom stretched the limits of what is believable about a photographic image.
There was something eerie, something discombobulating, something scarcely believable about watching an England player sticking it to the silver fern as if he were playing a common or garden game of sevens.
Even if you have an aversion to rock stars telling you their woes, there's something believable about the album's emotional arc and its dogged conclusion: "We've got to stick together".
The most believable thing about tonight's instalment is the relationship between Paul and teenage babysitter Katie Aisling Franciosii).
She entertains us with barely believable stories about her exotic holidays and her many brushes with fame.
Part of the problem is that basketball players are flukishly large and filmmakers have always felt that in order to make a visually believable movie about basketball, you need to use the real thing.
For children unfamiliar with the activities or significance of the Day of Atonement, Rouss's account provides clearly stated facts and a believable story about how even a well-intentioned little boy might cause the kind of turmoil he'd want his parents — and the spiders who live with them — to forgive him for.
The miracle of this programme is not just the two stars, Sharon Horgan and Rob Delaney, nor the fact that their very coupling – a car-crash between loopy Irishness and straight-jawed Yankhood – brings so much potential, but that the pair find so many new ways to say something delightful, believable, witty about the hoariest old sitcom cliches.
