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Thirty-four years later —in June 2011 — I sat in the Bass Studio as a resident at the same American Academy, beginning to write these words, perched high on the old Aurelian Wall, turtles and lizards as my companions, feeling the same fierce energy that surged through me those years ago.
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Shortly before I began to write these reflections, I received an e-mail from a friend in Rome, the writer Domenico Starnone.
She is also painfully self-deprecating, right from the word go: "I have a great deal of difficulty in beginning to write my portion of these pages, for I know I am not clever".
Spielberg then began to write the script.
Before beginning to write, think.
Set goals before beginning to write.
So I began to write about these characters who are surrounded by a wealth of possibilities, and yet they all feel that there is something missing".
Most importantly, bored and hungry, I began to write about these things.
I began to write about these two characters, Latha and Biso, and it so happened that they lived in those times.
Last week, on the dawn of his 57th birthday, I began to write some of these things down.
As this constant comparison of incidents and categories was being done, the researcher began to notice the full range of types or dimensions within categories and began to write memos about these ideas.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com