Sentence examples for become key features of from inspiring English sources

Anyone with a passing knowledge of his work, for example, will probably recognise the figure of Jenjira Pongpas (aka Nach) Widner, the woman whose romantic yearnings and undisguised limp – the result of a motorcycle accident – have become key features of what Weerasethakul terms his "universe".

Elves's unusual title and softer, folkier style was inspired by Hill's love of Tolkien – that's him dressed as Gandalf on the cover – and highlighted the growing role of the Massmans, whose vocal harmonies, pastoral songwriting and musical knowledge had become key features of the band's sound.

All the strong pleasant emotions that were evoked in the aftermath of being bullied became key features of my childhood memories.

The Mardi Gras Workshop was the creative heart of the parade, providing space to envision the ever-expanding creative puppets, costumes and floats that became key features of the parade during the 1980s.

Like the elements of secondary structure, they are born of the need to satisfy hydrogen bonding but, in achieving this, they become key, conserved structural features of many well-known protein architectures.

Biased juries, insufficient evidence and disproportionate sentencing have become a key feature of the way in which Muslim suspected terrorists are treated.

The various axes of Qatari influence, money and assistance – some formal, some informal – have become another key feature of the Arab Spring, not least in Libya and Syria.

Lecture capture has become a key feature of the e-Learning implementation plan of institutions aspiring to enhance accessibility and flexibility in teaching and learning.

The nightly fireball display in front of the Crown Casino has become a key feature of Melbourne's night scene, and we had the best seats in the house.

The ability to jump above obstacles has become a key feature of the mid-range game, allowing players with assault rifles to leap up, spot enemies from a distance and get a quick shot in.

Exhibition models thus both eroded and amplified attachments to authenticity and entangled the work of historians, curators and architects, ultimately modelling not history but what has become a key feature of contemporary creative practice.