If travel pieces become slavish gloss, then no one's interests are ultimately served: the reader loses faith, the newspaper loses a reader and the travel company loses a customer.
if you use darker colours you lip gloss might become a different colour.
Celebrity contributors Emma Stone and June Squibb ("a woman in her 80s who ain't taking no bull") become agony aunts, glossing over people's problems, from dealing with the friend who keeps cancelling to how to tell someone they are to blame for their failed relationships.
Yet that would be anathema to the market-based policies on competition and state aid that have in recent years been pushed by Britain and indeed by the European Commission itself.When economic times are hard, such problems become more difficult to gloss over.
If any "readers" were doing a "double take," it was probably because they kept wondering, "Why does this reporter seem to think I give a fig about any of this?" It's like 20 reporters were competing to become the next "Ed Glosser: Trivial Psychic".
What you get is a clean, relatively blunt-sided high gloss slab (or at least it's clean until you touch it, when the high gloss becomes a fingerprint magnet).
In the end "Chaconne" becomes a magnificent gloss on the Baroque style, a court ballet with the public as king.
The paradox of international law is that if the law is merely descriptive of what states agree to do, it becomes an apologistic gloss on their actual behaviour.However, the new court could be made to operate independently of state consent, confirming that states are subject to intentional law rather than it being subject to their whim.
Mr. Ruggiero, who is, like Mr. Beane, openly gay, may not want us to see Diane as anything but a monster: If we're not seduced by her, it becomes harder to gloss over the ugliness of her corrosive, withering contempt for everything and everyone around her.
This is the — to understand this, and I know that I did not ask you to read it for today, but I have to — I have a few minutes and I want to go the — ask you to turn to the very beginning of Canto XXIX because I think it becomes a retrospective gloss here on the problems that I've been trying to explain in Canto XXVIII.
