Sentence examples for become a protagonist from inspiring English sources

Exact(3)

You become a protagonist in the creative artistry of over 100 people, all of whom have their own visions of what your life was like.

And that ugly side of the bel paese has led to a new Italian detective story: one being played out in real time, in front of the television cameras, in which the ageing Sicilian novelist has himself become a protagonist.

Only when it has fallen, and Duanbai is free to wander, in poverty and danger, in pursuit of his ambition to become a tightrope walker in a travelling circus, does the hero become a protagonist in the Western style, defined by aspirations, struggles, and discoveries.

Similar(55)

I didn't set out planning to write a script about time, but the longer I took to write it and get it made, the more time became a protagonist in my life.

He became a protagonist in his own right with the publication of Thomas Leland's Longsword, Earl of Salisbury (1762), which draws heavily on Roger of Wendover's account of Salisbury's life and death.

As Marco sees it, "every city becomes a protagonist of the exhibition".

On top of that, she or he becomes a protagonist of the effort to overcome the crisis.

If there's a news camera or some sliver of momentary political advantage then Boehner becomes a protagonist in a daytime soap suffering recurrent amnesia.

As he wrote "Top Five," Rock realized that he didn't have to create an entirely new persona: he could become a memorable protagonist by rewriting his own life, following the example of Woody Allen, his hero, and also of Louis C.K., the comedian who plays a comedian in his acclaimed anti-sitcom, "Louie".

The no-fly zone, if you could in place one and you are willing to take the risk of doing it?" WILL: It seems that you're absolutely right that there's an illusion here that a superpower can tiptoe on little cat's feet into a sectarian civil war and not change the dynamic fundamentally and not become a chief protagonist.

But his considerable achievement here was making the case, persuasively, that when a singer has so fully internalized the text and the music that he seems almost to become a song's protagonist, the texture and coloration of the accompaniment hardly matter.

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