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Series like "The Unit" in its day or "NCIS" now stay watchable precisely because the viewer doesn't have to watch — every episode has the same characters and a beginning, middle and end; there is little risk to missing a few episodes.
In that case, it creates a ghost iFrame, though, because the viewer does not see anything.
Interesting from a cinematic point of view because the viewer doesn't expect the story to go past some glorious opening night.
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Because Lichtenstein only presents a single frame, the viewer does not know what happened before this moment and what is going to happen after it.
The viewer doesn't.
"What can the viewer do about it?
The first time I saw my brain image was the first time the viewers did, too, because everything was recorded as it was happening.
But if Don didn't change, the viewers did.
The viewers don't want to know what they are".
Again because of the lack of dates, a viewer doesn't know how far ahead he's jumping in terms of the art, but several works by Ed Mason, class of 1937, are eye-catching, because of their intense color and the displacement of part of a form, as if he is attempting an American version of the faceting associated with Cubism.
The first episode, which lays out the principal characters and their mission, is genuinely gripping, partly because of the expert cinematography but also because viewers don't quite know the territory.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com