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The note sounded will be exactly one octave above the open string's pitch, because only half of the string is vibrating now.
Because the strings are longer in a grand piano, you get a much greater depth, control and volume of sound.
Because, the strings are free to vibrate and different vibrational modes of the strings represent the different particle types since different modes are seen as different masses or spins.
I turned off the VCR, walked over to my studio setup and played, because the strings are very, very simple.
It is very important that the strings are not tightened any more than they are in Standard Tuning (E A D G B E - bass string to the highest string) because that is the tension they are designed for.
This is because the bass string is the furthest from you and the melody string is the closest to you.
The strings are vibrating because I'm happy to see you.
From understanding the tuning method in the previous step it is easy to work out the note names at the FIFTH fret like this: The note at the fifth fret on the 6th string is A, because that is the note you tune the A string to.
The note at the fifth fret on the 4th string is G, because that is the note you tune the G string to.
The note at the fifth fret on the 2nd string is E, because that is the note you tune the top E string to.
The note at the fifth fret on the 5th string is D, because that is the note you tune the D string to.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com