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A collaboration with Nicki Minaj with an unprintable name has a gyrating beat built on a sea of digitized giggles, and smooth gospelesque coos drive "Do It All".
Early on he triggered a hollowed-out dub reggae beat, built to a scary cacophony of looped sounds, then introduced a brisk rhythm and familiar melody.
Over a beat built from heavy drum thwacks and video-game bleeps, Sean Foreman, the band's lead vocalist, runs down a list of roles he might play: a presidential candidate, a model and so on.
Take the utterly staggering Spend the Night, which bundles in halfway through Night Shift: it finds E-40 and guests jousting over a beat built by one of his sons, Droop-E (who contributes heavily and with unparalleled sonic imagination to all his dad's recent projects), which adds human beatbox-like drums to samples from Björk's Oceania.
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The entire crowd is pogo-sticking up and down as the beat builds toward the chorus.
Meanwhile, the rock beat builds with a slow and erotic throb that reaches a mighty crescendo amid loud chanting, splashing potions, ever-wilder dancing, and gyrating camera moves.
"I'm in It" is the most sexually explicit song on "Yeezus"; the beat builds slowly, starting as just a rattling bass tone paired with silence and a female gasp.
A driving beat builds intensely towards the middle of the song before gradually easing up towards the end.
The ebb-and-flow beat builds to a moment of silence, which is where the Canadian remixers tucked the line "All we care about is tonight".
As the sinister, techy beat builds and recedes, we're thrown into some amorphous, globular other-world, where shapes drip in and out of existence for the entirety.
Sleek beats and clever vocal snippets from LA-based act Human Life are supplemented by an intricate synth line and a driving beat builds intensely towards the middle of the song before gradually easing up towards its finale.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com