It is nice, for example, to be served a version of a national dish curry on Thai Airways, say, or sushi on JAL, Japan's flag carrier.
It's nice, for example, to be reminded that the art world, or at least a big chunk of it, plods on in the same way it has for the past 20 years.
It would have been nice, for example, if the game explained who the Keymaker was, or why there were vampires, or why that sexy woman insisted on kissing Niobe or, well, anything at all.
It's nice, for example, to see Joseph Beuys's "We Are the Revolution," a nearly life-size image of the artist, across from Maurizio Cattelan's homage to Beuys, a work with the same title.
It's nice, for example, to be able to drag and drop a chart or data from one program into another, or to build analytics from several programs and make them work together.
This is nice, for example, if your media files are poorly labeled or if you can't quite remember which was the last episode of Arrested Development you had watched.
It suffers from a dearth of contextual information; it would be nice to illustrate, for example, how the beaded rectangular ear pendants of the Masai are worn.
It would be nice to know, for example, the context of the hanging, as well as many other enigmatic moments in this 65-minute film.
For example: 'Be nice a day keeps my fist away.' Think, if you could invent a time machine, where would you go in time?
