Sentence examples for be made intelligible from inspiring English sources

Shire's poetry prepares the way for Beyoncé's work and, in a sense, makes it possible: African literature provides the terms on which Beyoncé's work can be made intelligible.

Ross insisted that "nothing was indescribable"; that the most complex idea or gizmo could be made intelligible.This exactness of observation and fascination with detail runs through McKelway's essays.

The subject of metaphysics is reality but reality only as it can be made intelligible to human knowers.

Opponents who privilege a holistic model of evaluation and deliberation may demand, instead, that all feeling be made intelligible in its terms.

In this way, one might conclude that Locke and Leibniz actually do not necessarily disagree on whether gravity can be made intelligible in mechanist terms; they simply disagree on the propriety of the contention that God could "superadd" a feature to bodies that cannot be made intelligible in that way.

As he expresses it in the Prolegomena, "The difference between similar and equal things which are not congruent…cannot be made intelligible by any concept, but only by the relation to the right and left hands, which immediately refers to intuition" (4: 286).

Furthermore, it is impossible either to subsume all formal features of music and literature under the idea of a Gestalt or to demonstrate why, when so subsumed, the emotional effect and aesthetic value of form is made intelligible.

The source code is made intelligible using software for structured documentation and is available to the users.

After all, unconcealing is, in part, the process through which entities are made intelligible to Dasein in such a way that the distinction in question can apply.

Thus, the visible gestalt of a tree, for instance, is made intelligible for logical animals by reducing it to chemical letters and symbols (CO2, H2O, C6H10O5, etc).. Via symbolisation and literation, living beings are literally obliterated (Zwart 2016): they disappear from view; their visual form becomes eclipsed, while the focus of attention shifts to their plan or formula.

Thus, Helm claims, all emotions have not only a target and a formal object (as indicated above), but also a focus: a background object the subject cares about in terms of which the implicit evaluation of the target is made intelligible.