By comparing it to something else, it can be easier for the reader to understand.
Certainly it's easy for the reader to quibble with some of Mr. Ellis's conclusions.
One nice thing about a story this short is that it's easy for the reader to keep all the bits and pieces in his or her mind.
Mr. Rash's writing is so richly atmospheric that it's easy for the reader too to postpone asking questions about Walter.
As long as Mr. Nesi writes about his own life, about his love of books and movies, and about his job, his joys, his regrets and even his guilt, it is easy for the reader to feel sympathetic.
It is Mr. McCabe's conceit that these stories were written not by him but by a local hack named Phildy Hackball, and it's easy for the reader to understand why he would have wanted to hide behind such a fictitious author.
For the first fifty or so pages, as the characters attend parties, find apartments, go on dates, gossip, and squabble with each other, it is easy for the reader to think he knows what he's getting into: the latest example of the postgraduate New York ensemble novel, a genre with many distinguished forbears, Mary McCarthy's "The Group" and Claire Messud's "The Emperor's Children" among them.
A by-product of the framed Aloha is that it is easy for the reader to calculate the number of colliding slots, which will enable many adaptive random access protocols.
Instead, a summary of the data that is easy for the reader to interpret would be more appropriate.
Despite its size, the book is easy for the reader to navigate through due to its simple layout and well-structured chapters.
