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A dance should be a "movement study," an exploration of structure.
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Each scene is a movement study that presages Eadweard Muybridge's photography.
Rebecca Serrell's "Native (the earth is plastic)," danced to music by Annea Lockwood and sound designed by James Lo, was essentially a movement study.
Although at this time there is a movement aimed at the study of the patient's quality of life, it underscores the importance of the caregiver's view [ 10], the fact of the matter is that is important to consider the quality of life of the family members responsible for the care of patients in a situation of dependence as to consider the QoL of the dependent himself/herself [ 1, 4].
It seems to be an objective study in pure movement.
Similarly, Eduardo Garrido's "Homenaje a Leo Brouwer" — a tribute to that Cuban guitarist and composer, with whom Mr. Garrido studied — is a two-movement work laced with Brouwerisms: themes that alternate between modernist angularity and tunes with Cuban folk roots, slightly brash harmonies, imaginative textural effects and rhythmic slapping of the guitar's strings.
So the video, while being a study on movement, also explores the idea of humans as functional machines and the idea of our daily work activities as a kind of performance albeit without the exaggerated theatricality of some of these folks.
"Walking" had dancers suspended in harnesses moving sideways along walls, "Roof" spread its dancers across 12 different roofs on 10 different SoHo blocks, and "Accumulation" was a formal study in graduated movement, with repeated phrases building in complexity (like sentences that each time added one new word).
A survey of commonly used keypads on devices such as mobile phones and ATMs shows that there is a need to study movement times when these ID values are less than those for which movements are likely to be made under visual control [Gan, K.-C., Hoffmann, E.R., 1988a. Geometrical conditions for ballistic and visually-controlled movements. Ergonomics 31, 829 839].
In "Open Letter to Terpsichore," Ms. Mongrain, in a mask, was a study in isolated movements as she described those movements in a muffled tone: the spirit imprisoned in a body.
The second movement is a study in monotony — a sort of precursor to Satie — and the pianist wisely lets it tick along.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com