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Anthony Lane praised Cassel's performance, starting with "the double prow of nose and chin, the verminous gaze, and a face that seems to have been battered from side to side before the action even began," and wrote with enthusiasm of the movie's "hypnotic charge".
The double prow of nose and chin, the verminous gaze, and a face that seems to have been battered from side to side before the action even began: such are the features wielded by Cassel ever since "La Haine," and now on proud display throughout "Mesrine".
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The rain is indeed cold and unforgiving as it batters them from side to side.
From side to side.
Lean from side to side.
Instead, he shifted from side to side.
"From side to side, slowly".
His eyes dart from side to side.
Then it swayed from side to side.
Some people started to sway from side to side.
The stage itself lists from side to side.
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