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The title refers to an extinct hybrid that wedded clavichord to harpsichord; the format is a series of dance movements in the Baroque manner.
November 17, 1612 Troyes, France May 30, 1695 Paris, France Pierre Mignard, byname Mignard le Romain (born Nov. 17, 1612, Troyes, France died May 30 , 1695 Paris) painter in the classical French Baroque manner, known primarily for his court portraits.
It continues in this baroque manner for several more sentences, and concludes, "You will of course accept my view in this matter in good part and will never again use nor'easter, at least in public, and thus oblige".
His first book of poems, Romances (1596), written in the Baroque manner of the Spanish poet Luis de Góngora y Argote, reveals a refined sensibility and skill in describing the moods of nature.
Nonesuch also brings Mozart's (basically happy) F major Sonata (K. 533/494) and several intriguing smaller items: in particular a courante from an unfinished suite in the Baroque manner and an abrupt little gigue unlike any Mozart I know.
More a dance suite in the Baroque manner than a sonata-form piece in the Classical way, Mr. Wheeler's music is a network of contradictory tendencies, but few things make art more interesting than paradox.
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The Vanbrugh-Hawksmoor Baroque manner is often called "heavy," but the heaviness is in the service of the dramatic.
"Divertimento No. 15," Balanchine's major Mozart ballet, led off both programs, with justice done to its mix of filigreed patterns and vivacious Baroque manners on Saturday.
Much of the furniture in the state rooms was also designed by William Kent, in a stately classicising baroque manner.
Mr. Birmajer is "one of several younger writers who have really moved in a nonconfrontational manner away from the baroque style of García Márquez, Vargas Llosa and Fuentes," the translator Edith Grossman said.
Propertius acknowledges this debt, and his claim to be the "Roman Callimachus," treating Italian themes in the baroque Alexandrian manner, is perhaps best shown in a series of elegies in Book IV that deal with aspects of Roman mythology and history and were to inspire Ovid to write his Fasti, a calendar of the Roman religious year.
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