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The drums are echoey and booming, like a marching band heard through a wall.
Time magazine called it "the most original band heard in the U.S. for years".
A manager of the Glenn Miller Band heard it and invited Mr. Postilio, then 20, to audition to be band singer.
Luckily, the band heard its potential and my replacement, a 17-year-old guitarist called Michael Monarch, played it perfectly.
Intriguingly, though, where most listeners hear an earnest, growing-up ballad, Forchhammer and his band hear "ghetto pop".
The music is played by Shirim, the klezmer band heard in Woody Allen's film "Deconstructing Harry".
The band heard that Beyoncé had said that she was tired of being sexy, which they all thought was an odd thing to say.
His new band, heard in "Offering," was a quintet, augmented by the saxophonist Pharoah Sanders, in which Coltrane's wife, Alice Coltrane, replaced Tyner and Rashied Ali replaced Jones.
This is the band heard on "Live in New York at Jazz Standard" (Cam Jazz), Mr. Sanchez's overlong but engaging new double album, recorded at the end of that tour.
With Jesse Murphy, Adam Deitsch and Avi Bortnick -- the band heard on his new album "Überjam" (Verve) -- he'll flex his longtime fondness for funk, blues and danceable rhythms.
The young band heard on "The Magic Hour" -- Mr. Marsalis, with Eric Lewis on piano, Carlos Henriquez on bass and Ali Jackson on drums -- isn't really new.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com