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Recognition of suffering delineates between good and bad, pleasure and pain.
Pain and fear aren't emotions "Fifty Shades of Grey" is afraid to show; too bad pleasure and ecstasy are apparently off limits.
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Burgess captures the madamy fury and blithe guile of a young woman unwilling to differentiate between good and bad pleasures.
While 24 Hours has the kit-like efficiency of a script, a hurried style that mixes good writing with bad, and takes pleasure in its cinematic references, it never transcends the films from which it borrows: The Desperate Hours, in which Humphrey Bogart invaded Frederic March's home, and Cape Fear with Robert Mitchum.
Good and bad people take pleasure in different things.
To call a pleasure "bad without qualification" is to insist that it should be avoided, but allow that nonetheless it should be chosen in constraining circumstances.
Let him or her know that life isn't that bad, especially if pleasure is taken in the little things and in simple friendship.
Furthermore, Aristotle's analysis allows him to speak of certain pleasures as "bad without qualification" (1152b26 33), even though pleasure is the unimpeded activity of a natural state.
But on bad days these pleasures fade, and everything about his current life seems bleak.
Some focus on the bad as cause of pleasure, others on the bad as object of pleasure.
Susann's fiction is the very essence of that excellent bad thing, the guilty pleasure.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com