Sentence examples for backdrop recall from inspiring English sources

But still, while its wineries are fortified with state-of-the-art technology and its visitor centers rival any in Napa Valley, it remains a region where the slow pace and rustic backdrop recall an earlier age.

The white costumes against a largely white backdrop recall the all-white paintings of 50 years before; the nonwhite parts of the backdrop, combining silk-screen photography and painting, connect isolated images (a bicycle, a fence, an industrial view) with beautiful color and details of light.

But its white backdrop recalls the haunting quotation from Zora Neale Hurston that keeps cropping up in "Citizen": "I feel most colored when I am thrown against a sharp white background".

HOUSTON Walk-In Sculpture If you have a lot of Houston Facebook friends, it is highly likely that next week, cellphone selfies with backdrops recalling the neon landscape of the 1982 sci-fi film "Tron" will start popping up on your newsfeed.

"They shot a movie about children born addicted to heroin, and they used 101 West 73rd Street as the backdrop," he recalled.

The designer created a backdrop that recalled ancient ossuaries, like the disturbing but mesmerizing "bone church" on the outskirts of Prague or the Capuchin crypt in Rome, where generations of monks laid out the remains of their dead forebears in an eerie anatomy lesson.

With the snow-capped mountains as a backdrop, she recalled saying to him, "Wouldn't it be fun?" She said she thought Tierney took the job because "it wasn't going to be easy, that he was building something on a national level that maybe the faint of heart would have backed away from".

The Concealer images are all close-ups of an interracial group of 11- to 14-year-old girls, set against a blue backdrop that recalls both glamours shot and the awkwardness of yearbook photos.

As a backdrop, one should recall that abandoning African-Americans in the woods is a mode of harassment known from racist groups in the US and even in Norway.

The team identified what was at the greatest risk of being ruined, including a sodden tapestry backdrop from the 1930s, he recalled.

Ken Larson's ingenious set allows the lighting of Todd O. Wren and the sound design of Colin Whitely to evoke the sights and sounds of a ball field: a white backdrop edged with red slashes recalls the stitched leather of a baseball; chain-link fencing around the proscenium echoes the standard framing of innumerable sandlots and schoolyards.