Sentence examples for backdrop projects from inspiring English sources

Against this backdrop, projects such as Peterhead cannot come online quickly enough". Dustin Benton, head of resource stewardship at Green Alliance, said CCS "is not an either/or, it's an and".

The Glaswegian backdrop projects more dignity than the actors blundering around before it: Karen Gillan's klutzy author is conceived as Bridget Jones in Annie Hall clothing, at least until the sub-Austin Powers scene that deploys a perky pair of meringues to obscure her nudity from her hunky publisher (Stanley Weber).

When the first audience files in to see A Midsummer Night's Dream in Canterbury in June, they will be given special 3D glasses through which to watch the changing backdrop projected on to three screens on stage.

The staging, a nifty, travel-accommodating compromise between a fully staged production and a semi-staged affair, was accomplished with an animated backdrop projected on a concave screen at the back of the Golden Hall, with portholes through which the masked and make-upped singers could poke their head, with the rest of their vixen- or badger- or bird- or dog-body projected on them accordingly.

Their breathtaking interpretation of "The Wind begun to knead the Grass... .. performed in dance, music, song and visual art (with their painting as a backdrop projected behind the stage) formed the centerpiece of iO's first GET VERSED, and Mr. Bonner kindly reminded me of his appreciation for his children's participation.

Kentridge's terrific troupe of actors performs against this backdrop of projected photographs and some of his most mordant drawings.

Instead of his logo on the electronic backdrop, he projected the Oscar statuette -- and, of course, the stars who wear his clothes.

For her first show, about cycles of life and death, she became fascinated by a painting depicting the wheel of life and resurrection, a classic image in Tibetan Buddhism that became a revealing backdrop when projected at the performance.

In adding video to the production, Ms. Woolcock uses the shuttered cubicles as backdrop screens, projecting images of pelting desert rain or maps of potential target cities in Japan.

Born and raised in Pennsylvania, her work Anthracite Fields focused on coal mining set to a backdrop of projected art about mining and miners; she has also set her reaction to the legend of John Henry to music in Steel Hammer using voice and chamber ensembles.

The backdrop images projected above the stage implied that the song was about a homeless man, but sitting there, in the center of a mostly poor, black American city, in a concert hall filled with white people of sufficient means to buy a costly concert ticket, and yet who still felt a little kicked around, "Forgotten Man" seemed to resonate with a different side of our divided times.