Sentence examples for backdrop for video from inspiring English sources

Using the high, arched altar of Danspace Project's performing space, St. Mark's Church, as a backdrop for video, Mr. Rogers started his work off with a projection that made it seem as if you were racing through a tunnel, a highway dividing line swiftly slipping by.

In the mid-1980s, Brindustrialstrial music group Test Dept used the symphony as a backdrop for video collages during their concerts, recasting the symphony as a vehicle for the band's sympathy with the Polish Solidarity movement, which Górecki also supported (his 1981 piece Miserere was composed in part as a response to government opposition of Solidarity trade unions).

The First World War hasn't been all that common a backdrop for video game plots—I can think of Valiant Hearts: The Great War, and the old Red Baron Atari game, which I only recall because of its Xbox Game Room inclusion, but I'd have to turn to Wikipedia to list any more.

The First World War hasn't been all that common a backdrop for video game plots – I can think of Valiant Hearts: The Great War, and the old Red Baron Atari game, which I only recall because of its Xbox Game Room inclusion, but I'd have to turn to Wikipedia to list any more.

South Beach and the Art Deco buildings along Ocean Avenue were an ideal backdrop for videos and photo spreads, and not surprisingly featured heavily in countless scenes throughout Miami Vice's five seasons.

A series of translucent scrims serve as ethereal (but not altogether practical) backdrops for video projections of pigs and sheep running through fields.

Even the attic has been pressed into service, as the backdrop for a video by Trisha Donnelly.

Once famous for its annual cultural festival, the UNESCO world heritage site was the backdrop for a video released by Isis this weekend purporting to show the murder of 25 Syrian soldiers.

Mr. Lepage's conception is neutral and traditional, with one gigantic exception: the 45-ton set, made up of rotating planks on an axis that rises and falls, a balky, creaky leviathan called "the machine," which also serves as a backdrop for sophisticated video projections.

But given a few more years, it is not hard to imagine where all this might lead: imagine satellite-navigation systems that appear to paint the road yellow to show a driver which way to go, mirrors that let you try on different outfits or haircuts, or glasses that turn the whole world into a backdrop for a video game.

Orchestrating to Gil Scott-Heron's political track "The Revolution Will Not Be Televised," Branstetter manipulated a sequence of overlapping kinectic photographs, channelling the chaotic and abstract blurs as the backdrop for the video.