But how does it follow from the mere fact that the awareness of material objects is direct in these other ways that the resulting beliefs are justified?
First, contrary to what a representative realist view might seem to suggest, our perceptual awareness of material objects is obviously not, at least in ordinary cases, arrived at via anything like an explicit inference from either beliefs about or awarenesses of subjective entities such as sense-data.
What proponents of sense data (or adverbial contents) will say, however, is that these points fail to show that the perceptual awareness of material objects is direct or immediate in the sense discussed earlier: no tendency to show that material objects (as common-sensically understood) are literally contained within or features of experience.
A fundamentally representative realist view can incorporate the view that the perceptual awareness of material objects is direct in the unproblematic, but epistemologically irrelevant ways noted earlier — that it is not arrived at via any sort of inference and that it intuitively "presents" material objects to the perceiver.
A Tumblr created for the exhibit gathers a series of reports from people who've experienced the Method and shared their impressions: beyond the calm, the activities drew out the sensibilities of various participants, an awareness of material and of immaterial existence itself, perhaps the essence of all of the artist's performances.
This study was designed to raise awareness of the materials, devices, and Internet resources available to improve adherence to use of medications for the treatment of glaucoma and to review new devices under development.
Clinicians' lack of knowledge of a particular condition impeded safety netting, as did lack of awareness of available materials.
It was manufactured by Herman Miller for 40 years, until growing awareness of the material's health hazards led the company to halt production.
Mr. Assange has often said that he sees it as his mission, in part, to raise awareness of the material WikiLeaks releases by increasing its public profile.
The organisation that commissioned both the installations and the app, 14-18 Now, said it hoped the app would raise awareness of the material among people who will not visit London or Liverpool while the ships were on display.
