The phrase "avoid the aesthetic of" is correct and usable in written English.
It can be used when discussing design, art, or style choices, indicating a desire to steer clear of a particular visual style or approach.
Example: "In our new campaign, we aim to avoid the aesthetic of minimalism that has dominated recent trends."
Alternatives: "steer clear of the style of" or "eschew the visual approach of".
Rather than a historical reconstruction, Mr Chipperfield selectively retained damaged elements of the building, both to be true to history and to avoid the aesthetic dishonesty of an archaeologically "correct" reconstruction.
Avoiding the cyborg aesthetic of the earlier and conceptually similar (but ultimately withdrawn) Google Glass seems to have insulated the new product from the alarmist surveillance-state critique.
A man genetically incapable of saying anything but what he really meant, he presents a rude challenge to the attitude of professional caution that now prevails in so many precincts of the arts — the aesthetic of avoiding entanglements, of looking over one's shoulder, of perpetually hedging one's bets.
And how does the aesthetic of autonomy avoid the conclusion that all such pleasure is a violation of its strict requirement that we should be interested in the aesthetic object for its own sake alone?
Schneidereit says the Tengami team particularly wanted to avoid the child-like aesthetic common to other games about paper crafting or real-world storybooks, and even experimenting with the patterned aesthetic of origami paper made the game look overstimulating.
In this mist exists the Aesthetic of the Hit.
The aesthetic of America's interventions abroad is not beautiful.
In the Aesthetic of 1901 (Aes.
As such, it avoids the problem of creating an aesthetic experience -- which at some level means a pleasing or spiritual experience -- in connection with the Holocaust.
The critic who follows this method, staying close to the texture of social history as well as to aesthetic experience, is likely to avoid the intellectual isolation and self-pity of the kind Kazin describes.
