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An authorized biography of the late film director King Vidor was the author's objective.
The author's objective narrative and extensive use of dialogue to advance the action and reveal character represented a new style in Italian fiction.
(In fact, in the introduction to Ms. Nadeau's book, Tina Brown, editor of The Daily Beast and Newsweek, wrote that the author's "objective dispatches earned her the enmity of ferocious pro-Knox bloggers").
The post-characterization action is out of scope of the author's objective.
If the author's objective is to durably move the law to his or her ideal holding, the conventional answer is no, because there is a cost and no corresponding benefit.
According to Larry Wolff, reviewing the book for The New York Times, the poetic quality of the language is essentially connected to its author's objective: "the author seeks to create a sort of poetry out of the spiritual and material ugliness of life in Communist Romania".
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The reader's moral code can be better or worse than the author's by objective criteria.
Is the author's point of view objective and impartial?
How are their arguments supported (narratives, statistics, historical findings, etc).? Is the author's perspective unbiased and objective?
He has several reasons for this inclination: (a) He assumes (as did virtually everyone at this period) that the meaning of an author's text is as much an objective matter as the subjects addressed by the natural scientist.
And, the author's strong opinions notwithstanding, it is admirably objective.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com