The phrase "aural training" is correct and usable in written English.
It is typically used in the context of music education or auditory skills development, referring to the practice of improving listening skills and the ability to identify sounds, pitches, and rhythms.
Example: "Students in the music program are required to complete a course in aural training to enhance their listening abilities."
Alternatives: "ear training" or "listening skills development".
The target audience is music students who need help preparing for auditions, concerts and exams, and there's also "mind-training" and aural training on offer.
It was on one of David's brief returns to the UK that I first encountered him, a force of nature that exploded into one of Lambert's aural training classes, still with his travelling kit, sporting his trademark "spirit" cap, given to him by an African chief, just to say hello to his professor.
"Think of the sound that the note makes like a West Texas country road," Townsend told the students at the first morning of aural training.
These waves provoke: (a) an aural discomfort for train passengers, (b) mechanical stresses on train and tunnel structures, and (c) emission of impulsive noises outside the tunnel.
Training in advanced aural perception, sight-singing, and keyboard skills.
In our training courses we have devised aural exercises designed to give people this practice and thereby build up good habits of aural concentration.
The aural wallpaper of announcers reminding us at train stations and airports and grocery stores and other public spaces to buy tickets online, clear out before closing, check out the bargain in Aisle 7, expect the oncoming train — that's the generic hum of commerce at work, a Muzak of notices and warnings we barely notice, even when we're shouting over it.
"The sudden, violent aural and visual intrusions of all these low-level training flights is eroding the ability of visitors to use these sensitive public lands for the purposes for which they were set aside," it says.
"I keep thinking," said Yanni, heading toward the aural chaos of the soundstage, "that this whole experience is a training ground for something--that it is forcing me to grow, to have a deeper understanding, to become stronger, and also to remain open to the fundamental processes of life.
The intro, "Genesis", is composed as an aural montage that begins with the sound of an elevated train and an almost-inaudible voice rhyming beneath it.
The competition environment is considerably different to that of the training one in several respects; 1) the presence of other horses (except for racing), 2) additional visual and aural stimuli, and 3) conditioned stimuli that signal a competitive event.
