The phrase "aural performance" is correct and usable in written English.
It can be used in contexts related to music, sound, or auditory experiences, particularly when discussing the act of performing or presenting sound.
Example: "The aural performance of the symphony captivated the audience, drawing them into the rich textures of the music."
Alternatives: "auditory performance" or "sound performance".
She's passionate about the potential offered by a show such as Blind – the chance to make beatboxing an inherent part of the theatrical experience, rather than a purely aural performance.
The purely aural performance of a motion picture sound track, or of the sound portions of an audiovisual work, would constitute a performance of the "motion picture or other audiovisual work"; but, where some of the sounds have been reproduced separately on phonorecords, a performance from the phonorecord would not constitute performance of the motion picture or audiovisual work.
Simply put, these were stereo systems for people who care less about aural performance and more about furniture.
But bashful is an emotion no other piece of media has ever made me feel, which is why Oculus Cinema or something like it could unlock whole new dimensions of visual and aural performance artistry.
Getting both experiences in quick succession only enhances what's already an uncommonly striking visual and aural performance.
The Object of Performance: Aural Performativity in Contemporary Laptop Music.
Once a ritual became fixed within a medical compendium or a remedy book collection of recipes, either it could be returned to living practice in oral-aural performance by subsequent selection and use or, alternatively, it might continue to exist in a textual form without being performed.
Ela Xora Mask maker, visual, aural and performance artist Xora's art is characterised by binarism, the biology of sex and gender identity, Classics and precious metal masks.
With its poetic diction, historical allusion and philosophical range, this demanding script at times seems more suited to aural narration than theatrical performance.
"The Emperor Jones" is actually lighter on mechanized wizardry than many of the Wooster Group's shows, but Jennifer Tipton's burnishing lighting, Jim Clayburgh's minimalist set, Christopher Kondek's video and David Linton's rhythmic synthesizer score create a typically elegant visual and aural backdrop for the performance.
But I am willing to trade a little aural roughness for bracing performances when a conductor and players challenge themselves in the best sense and bring striking insights to standard repertory or champion living composers.
