The phrase "aural feedback" is correct and usable in written English.
It can be used in contexts related to sound, audio, or auditory responses, particularly in technology, education, or communication.
Example: "The software provides aural feedback to help users understand their progress during the learning process."
Alternatives: "auditory feedback" or "sound feedback".
The EyeRing takes this a step further by offering aural feedback via a wearable device.
For people of the '60s, quickened or not by hallucinogenic substances, the phenomenology of ordinary experience compounded by aural feedback could have been magical.
Unlike standard corded phones, cellphones provide little in the way of aural feedback; it has long been known that if you can hear yourself through the earpiece, you are better able to keep your voice properly modulated.
EICs refer to the contents that recognize human emotions in real-time and provide visual and aural feedback by offering appropriate stimuli so that users feel like they are communicating with the contents [21].
The engine, by the way, is potent in any of its six forward gears, and the aural feedback from the reworked exhaust is darned aggressive (in a Nordic sort of way).
Students receive both aural and visual feedback - and while we always talk about different learning styles, there are also benefits to receiving feedback in different ways". Stannard says the technology is particularly useful for dyslexic students, who appreciate the spoken commentary, and students learning English as a foreign language.
Students receive both aural and visual feedback - and while we always talk about different learning styles, there are also benefits to receiving feedback in different ways".
Results: The system provides visual, force feedback (haptic), and aural interfaces.
After that pause is the aural equivalent of a mind splitting open – a squelch of feedback so intense, sharp and brutal that you can't help but wince even after hearing it for the hundreth, thousandth, ten thousandth time, knowing full well that it's coming.
Eyes are transfixed on the screen as what you say beams directly from your unconscious mind, softly lulled into a meditative state by the amiable feedback loop of inane cliché presented by the Martin Tyler/Alan Smith aural tag-team.
It was two nights of, to pick a pair of choice descriptions from The Wire's review, "cycling overtones [that] functioned as the aural equivalent of a strobe light operating at the frequency of speech" and "feedback maelstrom[s] that sounded like an excessive moment 15 minutes into a Spinal Tap solo".
