Sentence examples for aural elements from inspiring English sources
The phrase "aural elements" is correct and usable in written English
It can be used when discussing components related to sound, such as in music, audio design, or any context involving auditory experiences. Example: "The film's success can be attributed to its carefully crafted aural elements, which enhance the emotional impact of the story."
Its visual and aural elements are eerily suggestive of a new theatrical cuisine.
In some cases, sound art has no aural elements at all.
Whatever visual and aural elements are conjured in the story exist in the imagination of the reader, a very private place.
Sound artists use noise, live performances by musicians, recorded ambient sounds, spoken words, audio-visual tapes and other aural elements to create art installations that either have no visual elements or forge a connection between images and sounds.
This paper outlines how the two courses were designed in accordance principles outlined in Mayer's theory and how the design team integrated seven of Mayer's twelve principles to create dynamic, visual and aural elements such as animations, narrations and text to engage learners in a more meaningful learning process.
Harris' programming skills proved invaluable as the band recorded unique, natural sounds, which he molded into aural elements.
The strongest aural element are live sound effects, obviously the company's forte.
His annoyance was understandable: this album, like its predecessor Ufabulum, sees him turning up every aural element to create an almost overbearing sound.
Yet the most distinctive aural element is Birgisson's evocative method of playing his electric guitar with a cello bow, which adds not just sonic immediacy but a certain unforgettable visual aspect, as during Saeglopur when he bows frantically, tasselled jacket sleeve billowing in the footlit haze while a sine wave of water meniscus laps across the screen behind him.
The film's aural element, combining sound design by "Gravity" Oscar winner Glenn Freemantle with a score by Geoff Barrow of Portishead and Ben Salisbury, is calculated to keep us off balance and unsettled from beginning to end.
With infinite choices of color, timbre, song, pattern, and so on, how was it possible to navigate towards a satisfying conclusion of A Hidden Order's aural and visual elements?
