The phrase "aural devices" is correct and usable in written English.
It can be used to refer to tools or instruments designed for hearing or sound-related purposes, often in contexts related to audio technology or communication.
Example: "The new aural devices developed by the company have significantly improved sound quality for users."
Alternatives: "audio equipment" or "sound devices".
But the Tavianis let us know, through a variety of brilliantly imaginative aural devices, that although young Gavino is illiterate, he's unusually sensitive to the sounds of the world around him -- as alert, in his way, as a good herding dog.
The film also makes use of visual and aural devices.
The other advantage, he said, is an aural branding device, the chime sound that denotes Intel, which will continue in the new campaign.
Thus, verse drama may embrace a wide variety of nonrealistic aural and visual devices: Greek tragic choric speech provided a philosophical commentary upon the action, which at the same time drew the audience lyrically into the mood of the play.
Using a nine-fold magic square to determine structure, a favourite Max device, he explores aural extremes and quotes the medieval plainsong, "Ave Maris Stella" (Hail Star of the Sea), echoing one of his own finest pieces with the same name.
Wagner James Au of Salon.com noted that the game's level of suspense was "exquisite" and that its use of detailed aural cues as a gameplay device bordered on virtual reality.
In Hong Kong, it is uncommon for individuals with hearing impairment to receive aural rehabilitation, other than the fitting of amplification devices.
A review of prior research on wearing time effects suggested that attenuation may decrease over time with aural inserts, but that this effect may be device-specific.
Investigations carried out on the impact of simplification compared to elaboration on aural input comprehension and retention has indicated that elaboration devices make the contribution to the improved comprehension more than linguistically simplified input (Chaudron 1983).
Boulez's had different virtues, not least a clarity in the antiphonal effects between the two string groups that Abbado could never have managed in the aural swamp of the Albert Hall, and an obvious relish in the structural devices, the symmetries and mirror effects in which the score abounds.
The term "metronomic" derives from the musical device "metronome" that produces regular and metrical ticks that represent a regular aural pulse.
