Sentence examples for aural backgrounds from inspiring English sources

The phrase "aural backgrounds" is correct and usable in written English.
It can be used to refer to soundscapes or auditory environments that provide context or atmosphere in various settings, such as music, film, or art.
Example: "The film's aural backgrounds enhanced the emotional depth of each scene, immersing the audience in the story."
Alternatives: "soundscapes" or "auditory environments".

Exact(2)

The ear creates aural figures and aural backgrounds the way the eye makes figures and ground".

Mr. Gaubert, a seasoned D. J. who has spent decades creating aural backgrounds for labels like Saint Laurent and Chanel, noted how the increasing rapidity of fashion's production cycles seems to affect everyone.

Similar(58)

There's an aural background of static and shards of speech and music.

Ms. Valcourt said: "The hearing-deaf issue was a pretty big thing, with me coming from an aural background, and not signing as well as he did.

(Grapevine smoke smelled and tasted like burning autumn leaves — suburbia's dominant scent in October and November in those days, but one now made almost extinct by fire ordinances and gasoline-powered leaf blowers, which drone all day long throughout the fall, like aural background radiation. Autumn in the suburbs in the nineteen-sixties was a smell; today, it's a sound).

"Maladroit" is packed with clarion chording, clouds of aural sparks, background-filling vocal refrains, spoken asides, and call-and-response exchanges.

Factors like age, type of microtia and aural atresia, background medical history, and patient's expectations should be taken into account.

The speaker is particularly adept as isolating vocals and maintaining often muddled aural aspects, like background singers and audience sounds in live recordings.

"Norwegian Wood" is no idle choice for a title: it creates a subliminal background, both aural and symbolic, for a masterly novel of late-60's love.

Before, you would hear the engine spinning frantically as it tried to produce what was asked of it, now it stays in the background, its aural output hard to distinguish from the general sound of motion.

David Milnes was quite simply the best conducting teacher I have ever had; although I went on after graduating from UC Berkeley to study with more "big name" conducting teachers I owe David an incredible debt of gratitude for giving me a rock-solid background in musicianship, aural skills, score study, rehearsal technique, and rhythmic acumen.

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